Friday, September 24, 2010

Critiquing Writers

I belong to a writer's group (and have in the past belonged to
another). We critique two pieces of work (almost always fiction) a
month and submit a piece of work for criticism 2-4 times a year.

A useful criticism talks about such things as: Did the first line grab
your attention? The first paragraph? The first page? Was the voice
compelling? Were the characters believeable and interesting? Did the
plot move at a good pace? Was it unique in some way? Was the sentence
structure varied and smooth? Was the vocabulary level appropriate? Did
you feel you "got something out of" reading this? Were there spelling
or grammar errors? etc.

A criticism should leave the writer energized and inspired, not
devastated. The critic should not try to turn the writer into a mirror
of herself. (I once wrote a fantasy adventure that had a bit of
vampirish style. A renowned writer in our community said it was a
tragedy that I would waste my talent writing such things and that I
was better than that. It derailed me for many years.)

I love the group I am with now. Often, what they say seems obvious,
yet I was unable to see it in my own writing. Sometimes I know a part
of the story isn't working but I don't know why. They will help me see
it clearly. They may give a few suggestions but usually question me
into figuring out where to go myself. I return home and revise my work
into a much better piece than I would have been able to alone.

Family is not my best critic. If my husband criticizes my work (he's a
stickler for details and a bit of a perfectionist), I seem more
defensive than with someone else. My niece LOVES everything I write
and doesn't see the problems. So, my writers' group is essential for
me. I've tried to find groups on line but it hasn't worked out.

The critic should be very close in skills to the writer. If they are
too far behind, they have little to offer. If they are too far ahead,
they may become bored or frustrated with your work.

I wrote a weekly column for three and a half years for a newspaper. I
learned there not to become attached to my words as they were ruthless
in cutting. I don't insist that something has to stay in a story if
more than one person has had a problem with it. I rewrite it in a
different way or drop it. Sometimes it can be used in another story
more effectively.

I have to admit I am not a very confident critic of other people's
work. I often hold back saying things until someone else in our group
says it first. I need to work on that.

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